Not too long after his return to writing, Zack Be struck gold with “True Jing,” which we were lucky to publish in the our current issue [on sale now]. Zack spoke with us about the story’s origins as well as his interests in music, transhumanism, and therapeutic counseling.
Asimov’s Editor: Before we get into the questions, Zack, we want to say how exciting it is to be your first professional sale! How long have you been submitting?
ZB: Thanks! “Excitement” only begins to describe how it feels for me to call Asimov’s the home of my first professional sale. There may or may not have been a few joyous leaps around my bedroom when I got the email from Sheila Williams expressing her interest in buying “True Jing.” I’m deeply honored by the sale. I’ve been reading the magazine off and on since middle school. My mom bought me an issue right off the newsstand (remember those?) because I had expressed interest in the cover art. Even though it wasn’t my first science fiction, it was definitely my introduction to a type of contemporary, forward-thinking short fiction that I had not been exposed to yet. All of that is too say I couldn’t think of a better market to break into!
As far as my submission history is concerned, before I sent “True Jing” to Asimov’s last year, I had been on a submission hiatus since I graduated from college in 2013. After a few years of consistent workshopping in my undergrad Creative Writing minor and a handful of rejected submissions, I felt the need to develop myself more on my own. I spent a lot of time producing music, playing in bands, and working on other forms of artistic expression until I was suddenly galvanized back into the prose writing habit by a few stellar issues of Clarkesworld and Asimov’s, etc. One month I wasn’t really writing at all, and the next month I was on a weekly routine of ~5000 words. “True Jing” was one of several stories that came out of that (still continuing) routine, and Asimov’s was the second place I sent it!
“If you had asked me a year ago which markets I thought would be most likely to give me a rewrite, I don’t think I would have picked any of the “big three” (Asimov’s, Analog, F&SF). They must be too busy, right? Wrong—in my experience, it would appear that Sheila and the rest of the editorial staff is just as devoted to developing new writers as they are to bringing readers fresh work by their old favorites.”
AE: How did your experience with Asimov’s differ from other markets?
ZB: “True Jing” happened to be a very early submission in the revival of my writer’s life, but since then I’ve been lucky enough to experience the usual deluge of rejection that almost every writer gets to enjoy. I’ve got a nice big folder full of everything from “we really like this, but we aren’t going to buy it” down to “this needs work” and even a harsh but understandable “never.” Sometimes if I’m having trouble falling asleep I’ll recite the texts of my favorite form rejections (not really).
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